I’ll claim 18 titles for 3 bingos: Row 1, Column B, and the main diagonal.
(This should duplicate what I submitted through the form and should be final. I cracked open a long one that I don’t expect to finish this month.)
List
- 1A: The 47th Samauri by Steven Hunter
- 1B: The Daughter of Time by Josephine Tey
- 1C: Meg by Steve Alten
- 1D: Saving Fish from Drowning by Amy Tan
- 1E: The Housemaid by Freida McFadden
- 2B: The 5th Wave by Rick Yancey
- 3A: Ireland by Frank Delaney
- 3B: The Ballad of Frankie Silver by Sharyn McCrumb
- 3C: Burn by Nevada Barr
- 3D: The Brethren by John Grisham
- 4B: The Cabinet of Curiosities by Preston and Child
- 4C: Alice in Sunderland by Bryan Talbot
- 4D: Red Sparrow by Jason Matthews
- 4E: The Cardturner by Louis Sachar
- 5A: The Short Reign of Pippin IV by John Steinbeck
- 5B: The Middleman by Olen Steinhauer
- 5C: Fahrenheit 451 by Ray Bradbury
- 5E: (sub for it takes two): The Bone Yard by Jefferson Bass
Favorites
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Saving fish from Drowning. Dead Bibi Chen’s ghost was a charming tour guide through SE Asia, patiently and omnisciently watching unheard as her living charges do everything wrong. I thought it was beautifully written and culturally informative.
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Alice in Sunderland is a non-fiction comic book with a bibliography. My only complaint is that it should have had an index too. But mainly, I recommend it because it’s clearly not the sort of thing you write just to fulfill a publisher’s contract. Talbot must have strongly believed that such a book should exist, and that nobody else was going to make it. Moreover, it’s a better fit for the category than I initially expected because in the middle of the book, he writes about the cover art, thus making it integral to the content.
Both of these have re-read potential.
Classics
Three of these, I think are old enough to be considered classics. Steinbeck’s wasn’t nearly as funny as the cover blurbs said it was. Maybe political satire has a shorter half-life and it hit harder when it was fresh. While Bradbury uses some dated tropes typical of SF from that era, they don’t detract from a central plot that is still disturbingly relevant today. Tey’s was both old and British, and assumes the reader knows British history better than I do. It’s still rather informative, but harder for me to properly appreciate.
Diversity Stats
- 5 from series I’ve enjoyed previously
- 2 standalone novels from authors I’ve read other works by
- 11 by authors I had no prior experience with.


Southern Man by Greg Iles, a late addendum to the Penn Cage series.
It’s risky to infer an author’s political leanings from their fiction, but there are exceptions. This was written and set in the 2024 election season, and is bluntly critical of Donald Trump and his MAGA supporters. No, I don’t think Iles got invited to Trump’s inauguration party.