The home, which was run by an order of Catholic nuns and closed in 1961, was one of many such institutions that housed tens of thousands of orphans and unmarried pregnant women who were forced to give up their children throughout much of the 20th century.

In 2014, historian Catherine Corless tracked down death certificates for nearly 800 children who died at the home in Tuam between the 1920s and 1961 — but could only find a burial record for one child.

    • @WizardofFrobozz@lemmy.ca
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      367 hours ago

      Can you blame her for recognizing and turning her back on a harmful patriarchal religion that victimizes women and children and turning to… Islam? Yeah, I can.

      • @theangryseal@lemmy.world
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        4 hours ago

        I don’t. Her talent doesn’t make her anything special outside of that talent. A person can do the wrong thing for the right reasons.

        Also, it happened during a time when Muslims were facing torment from the outside world because of 9/11. She wasn’t the only artist to convert to Islam during that time, but most of the ones I remember reading about at least had some potential connection to the religion through their ancestry.

        Some people cannot fathom a world without religion, even when they see the destruction in what they’re familiar with. If you spend your heart fighting one enemy, it’s a lot easier to miss the crimes of the enemy next door, especially if that enemy is a perceived underdog.

        Edit:

        2018 is when she converted apparently, but she still would have seen and felt the post 9/11 world. I don’t know much of anything so disregard everything I said if you want to or tell me why I’m an idiot if I deserve it.